I didn’t discourage them, but I had a premonition about that move
“The reincarnated Space Opera never really played out,” he said. “Once again, they had the ensemble from Juilliard. I tried to talk them into going out there, but they were up there for the sole purpose of being heard by record companies. That was their marketing plan. I mean, I could feel it. When you’re a band, you have to be a Mack Truck and there was something lost after fifteen years of hard work and not breaking through.
“Maybe they thought they had a better shot at getting a contract as an electric band. I was very happy working with Bullock-Fraser because by then David and Scott were talking music theory. And in terms of economics, it was a lot easier for me to work with, control and market the Juilliard/Bullock-Fraser setup, even though it was somewhat out there. I mean, ukrainianbrides4you dejting webbplats there were plenty of roads between Boston and Washington, D.C. that had 400-seat and 500-seat venues. That would have been absolutely perfect, as I was trying to market Bullock-Fraser to film companies like Troma.”
“I would have been happy to continue doing the Bullock-Fraser thing,” Bullock stated. “It was just that Space Opera, the full band, was so much more fun that we always gravitated back to it. Rex had agreed to manage me and Scott, and it was presumptuous of us to suddenly hit him with managing Space Opera. From that, Rex had the contacts to book Scott and myself into a couple of clubs, which was fine, but supporting and managing a full-blown rock band – really an electric orchestra – was something Rex hadn’t bargained for, and he was in over his head.”
